A performance by Marcozzi Contemporary Theater.

Description
Fearless is a dialogue between the breath of a whale and the breath of a human.

Inspired by the expedition that Daniela Marcozzi carried out with Guadalupe Villalobos and Ana Sofia Morales in Baja California (Mexico), Fearless dives into the radical blue, where the movements and breaths of grey whales make humans conscious about their own fears and inspire them how to deform the shapes of fear. 

The last fear to deform is the fear of not being immense. Music is the vital current that forms and deforms the shapes of fear.

Due to the very nature of the performance, some audience members are invited to sit in a circle, inside the performative space. 

The performance unfolds itself through a dynamic dialogue between in and out of the Fearless circle, through breath, music and movements.

Work in progress about respiration by Marcozzi Contemporary Theater, Guadalupe Anaya Villalobos, Ana Sofía Morales.

Description
You have a voluntary respiration and a circular horizon.
I, human, have an involuntary respiration and a horizontal horizon.
We meet in the current in and out the water, breathing the same air.
I play with forces bigger to me, timeless, inevitable, unconditional.
I inhale and exhale and joy bursts in the encounter. close.
You teach me to breathe and I am no longer afraid of not breathing. Of dying.
current.
I inhale with other humans, rocks, fish, whales, algae and crustaceans. I exhale.
Time knows no time. It is circular.

A wheel of the world, in the current.
On the courting wheel, playing, air in and air out.
Giving voice to the breath of the sea.

A performance by Daniela Marcozzi.

​​​Description
The solo-performance 8 Times Wilder is a dialogue between a veterinarian and a beached whale. The veterinarian is confronted with the cruelty of a delicate decision: whether or not to kill a beached whale.
And if she must kill the whale, then how?

But why kill the whale?
To keep her from suffering?
On what basis can we make such a decision?

In the play, the protagonist experiences the contradictions in one of the many binary worldviews shaping our society: the scientific, positivist, explicable, logical mindset on the one hand,  and the magical, spiritual, carnal part, governed by inexplicable forces, on the other.
The woman embodies these contradictions: her body and her story become the place where these extremes meet and act.

The protagonist does not surrender to the need for a simple and immediate answer to the whale-killing dilemma; she dives deep into its complexity, and it is in this very intricate complexity that she finds unconditional love for herself and for whale: an abyss where her soul can still be mirrored.

Where do we bring our soul to recognize itself if not in the belly of the whale?